There are over 2,700 prehistoric rock carvings known in Scotland. Little is known about the rock carvings, and they remain one of the most poorly understood and undervalued aspects of our heritage in Scotland. Most information about the carvings is currently archived in the National Record of the Historic Environment (the Canmore database). As this information has been gathered over more than a century using different recording methods, it is inconsistent, often inaccurate, and not suitable for detailed research based on statistical and spatial analysis.
Scotland's Rock Art Project (ScRAP) aims to conduct detailed research on Scotland’s rock art, and to enhance local, national and international awareness of this unique aspect of our heritage. To do this, the project team work with local people and heritage organisations to gather consistent, comprehensive data on all known rock carvings in Scotland using a standardised recording methodology. The database generated through field recording will inform their research, and will provide an accessible resource for the target audience of professionals, students and the wider public.
The project works with trained volunteers from local communities to gather text-based and visual records of the carvings. Community volunteers use a bespoke data input system to add user-generated data to the ScRAP database for validation and analysis by the ScRAP team.
The project’s digital products and services provide a context for raising awareness of the rock carvings with different audiences, and are pivotal to the success of our data gathering, analysis and sharing.
Historic Environment Scotland (HES) appointed Horisk to develop the digital aspects of the project. The website, database and data tools were developed using an Agile methodology. The project required significant liaison with internal teams at HES for data interchange with the Canmore database, and to ensure that the website and tools met HES’s requirements for responsiveness, accessibility and branding.
The project team trained teams of volunteers to collect data and use the data input system. Using a sophisticated map-based interface teams can find and assign individual carvings to survey, and can then record and upload all the data for each carving. Teams can also indicate areas on the map that they have completed surveying, and view survey areas of neighbouring teams. After validation by the project team, data are stored in the ScRAP database and copies are transferred into Canmore for long term curation. All data are publicly available via the ScRAP website.
The data tools were developed as a plugin for an open-source CMS, so are fully integrated into the website. Database fields were mapped to the Canmore database and a protocol established to allow regular data exchange between the two systems. The data recording form for each carving requires over 100 open and closed fields – this was refined and tested with community participants over several iterations to ensure it was easy to complete. The system is deployed as a containerised application on a cloud platform.
The digital tools were only made available to volunteer teams in May of this year, but over 100 carvings are already being surveyed, and 15 have been validated for import into the Canmore database.
The project meets the objectives of
The project was a finalist in the The Herald Scottish Digital Business Awards 2018.
Principal investigator Dr Tertia Barnett said "Horisk have created an invaluable new resource for community co-production of rock art data. The website and data input system are very user-friendly, despite their complexity, and will underpin research and understanding of Scotland’s rock art now and into the future.”